By Oscar Ojeda Riera;James McCown
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Extra info for Architecture in Detail: Colors
Seen in detail, the forms themselves appear like individual abstract sculptures. 34 white Rockwell Group, Cirque du Soleil, Walt Disney World, Florida, 1999. It is hardly a coincidence that traditional desert tents were white – the lightness of the structures helped fend off the merciless sun. In the same way, this innovative tensile structure is at once adaptable to the hot Central Florida sun as well as evocative of the traditional and iconic circus tent. The light gray of the circular central structure allows the much lighter tent surfaces, made of Teflon-coated fiberglass, to stand out as well as provide shade for visitors milling about or waiting to enter the performance space.
In the great room, the steel fireplace offers a planar counterpart to a flat-black topped table. In the corner fenestration system, black steel window frames are exposed wide-flange steel I-beams that form an ordered grid through which to take in the expansive views. black 53 Gabellini Associates, Park Avenue Apartment, New York, 1998. Because the client is a collector of black-and-white photography, a certain color discipline was brought to bear. Especially important were the monolith-like, black, solid cubic masses anchoring the living room, dining room and bedroom.
The light gray of the circular central structure allows the much lighter tent surfaces, made of Teflon-coated fiberglass, to stand out as well as provide shade for visitors milling about or waiting to enter the performance space. white 37 black “True equilibrium is expressed by the straight line,” wrote Piet Mondrian. For him and his modernist allies, that line was inevitably black. Architects like Rietveld, and later the Eameses, gave architectural expression to arrangements of brightly colored planes organized by black.
Architecture in Detail: Colors by Oscar Ojeda Riera;James McCown